Monty Oum, an inspiration I never met

I found out today that Monty Oum of Roosterteeth passed away. I didn’t know Monty personally and have never met him in real life or even online, but I didn’t need to in order to understand his impact on the anime and gaming community. His work on RWBY at RoosterTeeth in particular, has pushed the envelope a little further for me and many others in our fields. What once seemed impossible or a dream came true with the series he worked on.

Last year, RWBY became the first American anime series to be imported in Japan, something we could have only dreamed of a few years ago.  The show has potentially trail-blazed a path for the future, for more anime series to get not only created in the US but to also make their way to Japan and beyond.

On RosterTeeth’s website, they suggest we honor Monty by doing something creative. Which is why I will animate tonight with him in mind, knowing that if I ever am fortunate enough to have Cosmic Rage someday turn into something larger, that he probably helped pave the way with his work at RoosterTeeth. My dream has always been to have Cosmic Rage develop into a series, to see people cosplay as my characters and have their own action figures, all dreams I have had could potentially be easier to achieve after Monty and RoosterTeeth proving people wrong.

You will be missed Monty, and thank you for all of your contributions and hard work, I regret that I never had the chance to met you, but maybe someday.

If you want to donate to his family, you can check out his gofundme page here.

American Anime, Can it Exist?

I had a friend recently post this article up to my Facebook timeline. While it is questions submitted by readers, it is only the first question I was directed to by said friend. The article comes from io9.

If you want the cliff notes version of the article, the viewer is curious if there is a business model or alternative business model for America to make anime. First, let’s clarify a few terms, at least for this entry, since many people tend to like classifications and labels to group things. I mean, look at the debates over what people classify as manga vs comics and some people believe the country of origin plays a role in these classifications, such as the great Original English Language (OEL) manga vs manga from Japan or Korea, etc.

Anime, in it’s traditional sense, is used to describe animation from Japan whether it is a full length film or a televisions series. However, I would argue that the term “anime” will be going through the same thing as manga does in the near future. I envision this due to the growing amount of artists that were inspired by anime and are taking on the world of animation. For instance, the web show called RWBY with heavy anime influences and the rise of “fanime” series and projects on Youtube, which are combined of the words “fan” and “anime”.

Let’s tackle the first model, which is the traditional route of a manga series being turned into an animated series. In a sense, this already exists in the US. We have animated shows like Batman, Superman and the Ninja Turtles, all based on comics. While they don’t follow the story lines note for note, these shows are probably the closest thing to that model in the US. With the slow death of comics, we have seen an influx of spin-offs from Pixar and Dreamworks films for animated shows, such as Kung Fu Panda. Now one could argue, that these are more children’s cartoons than anime, which kinda carries the more mature label of animated content. Could we classify shows such as Archer or the Simpsons as anime? I personally tend not to. Some people classify shows based on art styles and some on content. For instance, some would classify Archer or the Simpsons as cartoons since they are animated and others would classify cartoons as content geared towards a younger demographic. So with the terms being used, we will be flexible and look at the greater picture.

The article is called “Why America Will Never Truly Be Able to Make Its Own Anime” and that may be true to a sense. Anime in Japan gets made to promote manga, video games or a toy line. So if an American company were going to make an anime title but based it’s premise off of a Japanese manga, it would miss out on some potential marketing goodies. As the response to question states, if a series is doing well, a Japanese studio will license it, American studios wouldn’t get a chance.

America also doesn’t have the proper infrastructure to have a successful anime series take root. The show would essentially have one outlet, the late night block on Cartoon Network to reach the masses of cable viewers. SyFy no longer has a late night block in any form of anime to my knowledge and hasn’t had one for several years to my knowledge.

This all sounds kind of pessimistic, so what exactly am I saying?

In the US, people are increasingly cutting the cord to cable, thus making an American anime series primed for another platform, such as; Netflix, Amazon or some other player not in the market yet. As a culture, we are in a period of transition. One from the old ways of watching cable, to a new way people consume media that has not yet been directly defined. Once a show gains a level of success, it can then expand outside of the US. For instance, Roosterteeth recently announced that RWBY was going to be aired in Japan. You can read the article on adweek.

While I am not a businessman by any means, going this route may be a more profitable route. You wouldn’t have to pay to license a manga, and you could make money off of the licensing of the new Intellectual Property (IP), I believe.

So while anime is not the hot ticket item it was a decade or so ago, there is still room for an American series to make money in the space. I believe that we will see a successful title like that in the future and maybe develop it’s own niche as well. In my opinion American anime can exist, otherwise I wouldn’t be working on Cosmic Rage. I’d love to hear your thoughts!

 

Power of the Prologue 2: RWBY

Last week I posted about prologues and ways that they can be used to help enhance stories. I was referring to the first three episodes of Soul Eater and also Crest of the Stars. However, I completely blanked out on something I saw a while back, a trailer to the Black character in Roosterteeth’s RWBY project. Here are all of the characters prologues, in the order they were released.

I first heard of Roosterteeth when I was in college and a friend showed me the world of Red vs Blue. If your not familiar with that, thats a whole other rabbit hole you will have to look into, but you can start here.

Anyways, I believe it was at some point around season 4 or 5 that I caught up with Red vs Blue and admittedly kinda forgot about it, even though it was hilarious. It was probably around the time I was moving around. But one day I was on Anime News Network (ANN) and saw a trailer to the Black character in RWBY. When I was at Akon and met up with my composer, he told me that he went to the Roosterteeth panel to see the final character, Yellow, trailer revealed. I planned on going to the panel but the line was super long and there was no way I was going to get into the panel.

So post A-kon I recently decided to check out all of the RWBY trailers (as seen above). They all do we a very nice job of building up intrigue for each character. At the end of the Yellow trailer we see that the original Red character is her sister. In the Black trailer we see the character leave a guy behind. At the end of each trailer we are shown the silhouettes of the remaining characters that we know nothing about at certain points. We also get the released date of when we can expect the next video or unveiling of the world of these characters.

I felt compelled to show show these trailers because we are currently in the process of seeing the power of the prologue that Roosterteeth is utilizing as we approach the July date of yet another announcement or unveiling. I guess we will both have to stay tuned to see where this trip ends up. I am looking forward to seeing where it goes.