Planning for 2015

With the big announcement earlier this week, I wanted to share a little bit of what the future holds for 2015 and Cosmic Rage. I mentioned about aiming to have the e-book version out by the end of winter and then hope to flesh it out to a full animated episode.

I have been working on recruiting potential people to help the Cosmic Rage project in a variety of ways, mostly in an effort to speed up production on episode 2.

I have also been looking into the con schedule for 2015 and have several picked out. Of the cons I have picked out, I plan on doing a couple artist alleys and applying for panel presentations at all of them as well. Most of the cons I have picked out are in the midwest area, so if you know of any or have any suggestions, feel free to contact me. Looking forward to seeing you all in 2015!

American Anime, Can it Exist?

I had a friend recently post this article up to my Facebook timeline. While it is questions submitted by readers, it is only the first question I was directed to by said friend. The article comes from io9.

If you want the cliff notes version of the article, the viewer is curious if there is a business model or alternative business model for America to make anime. First, let’s clarify a few terms, at least for this entry, since many people tend to like classifications and labels to group things. I mean, look at the debates over what people classify as manga vs comics and some people believe the country of origin plays a role in these classifications, such as the great Original English Language (OEL) manga vs manga from Japan or Korea, etc.

Anime, in it’s traditional sense, is used to describe animation from Japan whether it is a full length film or a televisions series. However, I would argue that the term “anime” will be going through the same thing as manga does in the near future. I envision this due to the growing amount of artists that were inspired by anime and are taking on the world of animation. For instance, the web show called RWBY with heavy anime influences and the rise of “fanime” series and projects on Youtube, which are combined of the words “fan” and “anime”.

Let’s tackle the first model, which is the traditional route of a manga series being turned into an animated series. In a sense, this already exists in the US. We have animated shows like Batman, Superman and the Ninja Turtles, all based on comics. While they don’t follow the story lines note for note, these shows are probably the closest thing to that model in the US. With the slow death of comics, we have seen an influx of spin-offs from Pixar and Dreamworks films for animated shows, such as Kung Fu Panda. Now one could argue, that these are more children’s cartoons than anime, which kinda carries the more mature label of animated content. Could we classify shows such as Archer or the Simpsons as anime? I personally tend not to. Some people classify shows based on art styles and some on content. For instance, some would classify Archer or the Simpsons as cartoons since they are animated and others would classify cartoons as content geared towards a younger demographic. So with the terms being used, we will be flexible and look at the greater picture.

The article is called “Why America Will Never Truly Be Able to Make Its Own Anime” and that may be true to a sense. Anime in Japan gets made to promote manga, video games or a toy line. So if an American company were going to make an anime title but based it’s premise off of a Japanese manga, it would miss out on some potential marketing goodies. As the response to question states, if a series is doing well, a Japanese studio will license it, American studios wouldn’t get a chance.

America also doesn’t have the proper infrastructure to have a successful anime series take root. The show would essentially have one outlet, the late night block on Cartoon Network to reach the masses of cable viewers. SyFy no longer has a late night block in any form of anime to my knowledge and hasn’t had one for several years to my knowledge.

This all sounds kind of pessimistic, so what exactly am I saying?

In the US, people are increasingly cutting the cord to cable, thus making an American anime series primed for another platform, such as; Netflix, Amazon or some other player not in the market yet. As a culture, we are in a period of transition. One from the old ways of watching cable, to a new way people consume media that has not yet been directly defined. Once a show gains a level of success, it can then expand outside of the US. For instance, Roosterteeth recently announced that RWBY was going to be aired in Japan. You can read the article on adweek.

While I am not a businessman by any means, going this route may be a more profitable route. You wouldn’t have to pay to license a manga, and you could make money off of the licensing of the new Intellectual Property (IP), I believe.

So while anime is not the hot ticket item it was a decade or so ago, there is still room for an American series to make money in the space. I believe that we will see a successful title like that in the future and maybe develop it’s own niche as well. In my opinion American anime can exist, otherwise I wouldn’t be working on Cosmic Rage. I’d love to hear your thoughts!

 

Recent Viewings: Tokyo Magnitude 8.0

[youtube https://www.youtube.com/watch?v=IqhrKb11rEU&w=420&h=315]

Recently I have been checking out the local anime group and working on becoming a little more of an active member in the anime community and seeing if there is a way I can get involved in helping the con scene as well. It has been a couple weeks and I have met some fun people too. 🙂

Over the course of the last couple weeks, the club was finishing up a series called Tokyo Magnitude 8.0. I missed the first 3 episodes, but got a quick run down from the group on the story so far. It is a short series, spanning only 11 episodes.

One of the interesting facts about the show is the production life of it. Tokyo Magnitude 8.0 was being produced as a show about what would happen in case of a large scale earthquake in Japan. How would major government entities react? The show was made because based on scientific data, a large earthquake was due.

When I got into the show, a brother and sister duo had recently met an adult. The older sister Mirai, her little brother Yuuki and Mari the adult, wee journeying through the city looking for each of their families together. Checking through schools, hospitals and area checkpoints, the three work their way back to their houses to try and locate family members.

The middle of the series (about episodes 4-8) seemed to be a little repetitive and follow the same formula of Yuuki and Mirai roaming around after Mari gets distracted. Personally, I don’t think the children would be out roaming around as much after such an event, but I understand that is needed for story progression.

The ending of the series is where I found value in the show. Having said that, Tokyo Magnitude 8.0 is not a series I would own, but it is worth a watch if you have the opportunity to.

Recent Viewing: Dragonball Z Battle of Gods

[youtube https://www.youtube.com/watch?v=yQJM963be_I&w=560&h=315]

For a night I felt like a kid again 🙂 It has been the first time in close to a decade where I was going to see new Dragonball Z, from FUNimation. I was super excited, the film was going to be a full length feature, meaning it would be almost twice as long as the previous 14 movies. So is the film worth your time?

I am going to do my best to avoid any major SPOILERS since it was only in select theaters. I also persuaded my girlfriend to go to the movie as well and she hasn’t seen more than the first 4 or 5 episodes of Dragonball Z. The film handled non-Dragonball Z fans pretty well, by laying out enough history so you had a basic groundwork of some of the characters and storyline.

There was several things that stuck out to me in the film. One of the things that really stuck out to me was the amount of comedy and throwback jokes that long-standing fans. Several times I was finding myself sitting in my seat with a smirk from the jokes and a few one-liners. If your a fan of Vegeta, he is in the film more so than I would have thought. From the trailers and previous Dragonball Z films, my assumption was that the film would primarily feature Goku as the main character/hero and the other characters would only have small portions. The dub version had a few curse words, which was a little surprising. The film probably had more curse words in it, than the rest of the series and films combined. Finally, the amount of CGI in the film was also surprising. It’s the way of the industry in Japan, going more into CGI or the 3D realm if you want to be specific. Several shots had some pretty heavy 3D camera work and environment work. I enjoyed it and think it could evolve pretty well with the DBZ universe. A few of the scenes were a little rough, but you can see that they skills or technical prowess is starting to develop.

On a final note, it has been announced that there will be another new film next year. I have a hunch there was a set up in this film for the future film, it is a personal belief, no spoiler or  insider info. I am curious with the reboot of Sailor Moon, if this film and next years film are testing the waters of doing more on the series or if they will stick to films. I guess only the future will tell 😉

Recent Reading: The Flowers of Evil Volume 10

July is here already and there is no better way to start the month off with a new volume of Shuzo Oshimi’s The Flowers of Evil series. I apologize for being wrong in my last post about the series, it looks like volume 10 was out sooner than I expected and it isn’t the final volume!

One of the biggest things that stood out to me with this book is the artwork. The cover of the book is absolutely gorgeous.

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The cover really prepares you for some awesome artwork inside. In particular there is a 2 page spread towards the end of the book that maybe rivals some of the imagery in the earlier books where Nakamura and Kasuga are in the school at night.

At times I would get lost in the art, looking at the grittiness of the hatching in several shots. The environmental shots are amazing, it is one of the best parts of manga, they tend to focus more on settings. Several areas in the book have periods where you get to look at the artwork instead of reading word balloon after word balloon.

This series really hits on the storytelling notion “show not tell”. The facial expressions and more aid the lack of text. Seeing a characters reaction is more powerful than being told how the character is feeling. This might be one of the best volumes I have read.

Seriously though, I can’t get enough of the art in this series, my words don’t do it justice.

In terms of story, after volume 9 I felt a big plot twist was needed or some more conflict. While I think volume 10 may have wandered in one section a bit, the progression of the story was sufficient and didn’t leave me disappointed. Who knows, the area that I felt wandered a bit, could still have a role in the story in future volumes, it’s one of the downsides of reviewing volumes as they come out and not the story as a whole. So take that personal feeling about the story with a grain of salt.

I am very high on The Flowers of Evil, I haven’t had a series keep me this engaged for a while. Very excited for the next volume from Vertical.

New Location

I missed last weeks post due to the fact I was moving into my new apartment. While I didn’t get everything moved in, I got the majority of my stuff unloaded. I have a couple boxes of books, movies and some other art supplies left, which will most likely be part of this weekends agenda.

It feels a little weird having my own place again, although it has been a nice change of pace. I spent some time this week going through things and finding out some of my art supplies have dried up since being in storage. It has also made me rethink the way I live a little. I packed my things in Minnesota a couple years ago and it was like going into a time capsule as I was unpacking things.

I found numerous things I didn’t need any more but for some reason felt I would need back then. Over the last couple years my lifestyle has changed so much that it was kinda strange looking through some things. When I moved I never intended for my stuff to be in boxes for almost 2 years. I got by on limited supplies and items. A couple years later, it makes me wonder why I kept them to begin with.

I have had a growing interest in the “live simply” approach to life, by owning less things it frees for time and money up for doing more things. I would love to travel back to Japan in the next year or two and see more of the country and culture.

One thing I have done this week so far was taking a break from side projects and I started playing some video games. I would never classify myself as a hardcore gamer, but it has been nice to sit back and play some video games again. I think I am using it as an excuse to not work or code since my internet hasn’t been connected yet.

Which on that note, my coding courses have been going well. I wanted to start learning more code in 2014 and I am on my way. I attended a developer meet up last week and was thrust into dabbling in some node JS. I don’t even know javascript yet, but it was good to see how some of the little test exercises worked and it made me really excited to start javascript when I wrap up my html and css lessons. I am hoping to do that this weekend when I visit my parents and have internet. Going to look into getting back online today over lunch.

Another one of my goals has been to start back up recording tutorials and tips on my other site. For some reason I am having an issue with my recording software continually turning on my laptop camera whenever it wants to in the middle of recording. I can’t say I have had that problem before but I am hoping to get recording again soon. I have some good content I want to share and post up for the community.

Recent Viewing: Tsuritama

When I was traveling in Japan last summer, I came a cross an advertisement for the show Tsuritama. The cardboard characters, with fishing gear in hand, were the first fishing characters I really recalled. Of course there was characters in shows, but not a show entirely about fishing. So I put the show on my radar and Sentai Filmworks released it in the US. It took me some time to get around to watching all 13 episodes, but I made it through the show. Check out the trailer and review below.

[youtube=http://www.youtube.com/watch?v=CQBw_XrZWkw&w=560&h=315]

First off, I must admit that when I was growing up I fished a ton, almost every day in the summer since I lived about a half mile from the river in the city I would ride my bike and take my fishing pole and gear. So I was really interested in seeing a fishing series and had to watch it.

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(*cut out advertisement in Japan)

The premise of Tsuritama centers around Yuki, a new student at Enoshima and an alien friend he makes named Haru. The first half of the series focuses on character development (like most shows, of course), but Yuki also starts to develop his fishing skills. The show follows a little bit of a formula in which one of the characters doesn’t know much of a certain topic, in this case fishing, so the audience learns some things with the character.

The later half of the series (which runs 13 episodes) fleshes out the underlying plot of the story. Overall I felt the series was a fun and entertaining series. Nothing groundbreaking, I can’t imagine anyone calling this a must-watch series, but if you want a unique title, give Tsuritama a shot. The education of fishing throughout the series isn’t super realistic or too advanced that it could be a turn off.

The music for Tsuritama is light hearted and fun, it matches the art style of the show. The backgrounds are a little untraditional. Most anime backgrounds are designed to look traditionally painted, with brushstrokes and all, or more recently, 3D backgrounds. Tsuritama employs backgrounds that appear as if they are cel shaded, so the same style as the characters are typically done. It was a unique style that I haven’t really seen before, so I enjoyed it very much.

If you are an Evangelion fan, the voice actresses of Asuka and Misato are used for a couple characters in Tsuritama. I always enjoy hearing familiar voices and trying to trace who they are. There is even a cute animal sidekick in the show, Tapioca the duck.

Here is a little more on Tsuritama from Anime News Network.

Recent Viewing: Gantz (Live Action)

It’s good to have a little free time again. I wanted to write about one of my favorite franchises. I need to first be up front and say that I am a pretty big Gantz fan, so with that in mind, check out the trailer below and we will see you on the other side.

[youtube=http://www.youtube.com/watch?v=GuuHv1rZMhE&w=560&h=315]

First off, Gantz is broken into a couple films, and this is a review of the first one only. The trailer above showcases clips from both films. For those who aren’t familiar with the Gantz universe, it started as a manga series before being adapted into an anime series and eventually into live action films.

The premise of the franchise is that when people die they are taken to a room by a black orb and are given weapons to hunt aliens for points. I haven’t finished the manga series yet, I have completed the anime series a few times and am now working on the live action films.

The first film covers the first several games of the Gantz series. The live action adaptation has its ups and downs. As with any series, when condensing it down into a film you have to make sacrifices. In this case, the sacrifices came at the cost of character development. At times I felt they were stringing key scenes and buzz words from the anime series. It is probably some unfair harsh criticism, since I do hold the anime series in a pretty high regards from a character development stand point and also from a social commentary stand point. I felt they lost some of that in the first film.

The visual effects were pretty solid for the film, nothing to complain about. The film from an action stand point is also solid. If you are looking for an entertaining and action packed film, Gantz may be worth checking out. If you are a fan of deep character development, you may want to check out the anime series instead. The film takes a lot of inspiration from the manga series, even though the manga and anime are very similar for the first several volumes.

I think I am going to check out the second film at some point and see which direction it goes as well. It is possible the second film will focus on more of the character development too. I won’t know until I check it out 🙂 If you have watched Gantz, I would love to hear your point of view. Like I said, I am a little impartial because I enjoy character development above all else.

 

Recent Viewing: Kenshin (Live Action)

When I was first getting into the anime scene in high school, Kenshin was one of the more well known titles to fans at the time. We didn’t have the abundance of streaming options and a few select titles were making their way to late night TV. I enjoyed Kenshin for the most part, but was never a really big fan of the series, admittedly.

Regardless, it was good news to hear that Japan was making a live action film. Some of my friends posted images of the film shoot and slowly but surely I was getting more and more excited for the film, even though I haven’t rewatched the anime in close to ten years at this point. I recall the second season being really good, but found myself forgetting some of the events in the first season.

When I was at A-kon earlier this summer, they had a screening but I missed out due to the lines for registration and pre-registration 🙁 So at this point I figured I wasn’t going to really get a chance to check it out. Then to my pleasant surprise, it was screened at this years SGMS. So how was it?

[youtube=http://www.youtube.com/watch?v=pq4O1zHyJqo&w=560&h=315]

The story of Kenshin revolves around him being a top assassin during the war, but when the war is over, the age of the samurai is as well marking the start of the Meiji Era (I believe this is right, my Japanese history is a bit lacking). So Kenshin takes up a life of not killing, however, other wandering swordsman continue their search for the legendary assassin so they can have their crack at killing him.

The actors and actresses fit the characters well from what I recall, although some of the characters I didn’t remember (mostly some of the villains). Since I also haven’t seen the anime for a while, I wasn’t able to track how closely they followed the storyline (which is a completely different situation than my viewing of Gantz, which will be up next week). So The I wasn’t relegated to knit-picking the story progression to the manga or anime.

I was really thankful for that, because I enjoyed the film since I some of the characters and story seemed new to me. There were a few kinda awkward moments in the film that took it down a notch for me. Mostly there was a pretty harsh cut in the film in the latter portion that  took me out of the film. I didn’t feel like they had to do such a harsh cut, they could have added in another scene or something to help smooth out the transition, or at least some dialogue. That was mostly the only issue I felt in terms of editing. The other moments were a couple lines of dialogue and weird moments of silence, even though I could see those being winks to the anime or manga.

I would be interested to hear what Kenshin fans thought of the film. I talked to one of my friends and she thought the film was really good, so it seems for fans it is a worthwhile film. The film has done well enough that a sequel is in the works as well. I must admit I am pretty excited for this because the second season of the anime was awesome and featured one of my favorite villains in my early anime years.

Conference Recap: 2013 SGMS

As promised, I thought I would recap this year’s experience at the Schoolgirls and Mobilesuits (SGMS) conference that I attended, located in Minneapolis MN. This was my 4th year going and my 3rd year presenting. This year I presented on Studio Madhouse, how they got started and how they evolved over the years. Recently I have been intrigued by the collaboration aspect of animation and studios, so I wanted to trace the roots of my favorite studio, Madhouse. Some of their works include, Deathnote, RedLine, and Summer Wars.

SGMS is an very interesting conference, in the regards that it isn’t like a convention like you may think. Instead, presenters discuss a topic that they have researched and share them in panel discussions that are in similar areas. The presenters range from college professors, to fans that want to share their research with the audience. Personally I tend to share animation based content since I am an animator and enjoy researching it. It is nice to hear presentations about cultural and academic aspects of anime, because quite frankly, anime gets a pretty bad stereotype based of a select few titles of what people may have seen or heard.

Anyways, this year there were presentations ranging from the rise of Kpop music in Japan to the retirement of Miyazaki and even the changes of the word “otaku” through the films of Satoshi Kon (Perfect Blue and Paprika). There were some panels on the evolution of fandom, the anime industry and government regulations. The keynote speaker talked about Fukushima and his work to help the area recover since it isn’t an easy solution. He gave a presentation and later he returned in the weekend for a Q/A panel that he graciously went over time with because we all had so many questions for him regarding Fukushima and other cultural aspects.

At night, we also had some film screenings. This year we saw the live action Kenshin film (review next week) and I also watched the screening of Wolf Children, again. The film gets better every time I see it, can’t wait for it to be released.

I am already thinking of topics for next year’s conference and look forward to seeing everyone again soon.