Production Update 180: SoDak Wrap Up

700 miles logged in a road tripĀ over the weekend and it was worth it! As you may know, SoDak Con was this past weekend, which was actually my first time attending it. Over the course of the weekend I held my History of CGI in Anime panel and also had a screening for Cosmic Rage. I had an awesome time at the con. The staff was incredible and the guests were very friendly. I enjoyed my first SoDak con and the convention had a very friendly vibe to it. I hope it is the first of many more.

My panels went really well. I always love sharing the history of CGI in anime, most people haven’t seen some of the older applications of CGI in anime. It’s a blast seeing the crowds reaction to some of the early uses.

The screening of Cosmic Rage went off really well too. It is always humbling to see people show up to learn about the project and watch it. Especially when there was such a good line up of panels throughout all of SoDak Con.

A huge thank you to all of the SoDak staff and to all of the new friends I made at the con. I hope to see everyone again soon!

Now, it’s dive into the production side. I wrapped up the rest of my art grant paperwork, so that will get sent in and be cleared. While filling out the paperwork, it was sort of nostalgic seeing how far the project has come in the last year. I also spent some time on freelance work.

This week I am getting back into the production side. I am going to be working on something special for my next convention, Tokyo in Tulsa! The e-book cover is still at the top of the list for this week to get wrapped up as well.

Another update will be up Wednesday!

Conference Recap: 2013 SGMS

As promised, I thought I would recap this year’s experience at the Schoolgirls and Mobilesuits (SGMS) conference that I attended, located in Minneapolis MN. This was my 4th year going and my 3rd year presenting. This year I presented on Studio Madhouse, how they got started and how they evolved over the years. Recently I have been intrigued by the collaboration aspect of animation and studios, so I wanted to trace the roots of my favorite studio, Madhouse. Some of their works include, Deathnote, RedLine, and Summer Wars.

SGMS is an very interesting conference, in the regards that it isn’t like a convention like you may think. Instead, presenters discuss a topic that they have researched and share them in panel discussions that are in similar areas. The presenters range from college professors, to fans that want to share their research with the audience. Personally I tend to share animation based content since I am an animator and enjoy researching it. It is nice to hear presentations about cultural and academic aspects of anime, because quite frankly, anime gets a pretty bad stereotype based of a select few titles of what people may have seen or heard.

Anyways, this year there were presentations ranging from the rise of Kpop music in Japan to the retirement of Miyazaki and even the changes of the word “otaku” through the films of Satoshi Kon (Perfect Blue and Paprika). There were some panels on the evolution of fandom, the anime industry and government regulations. The keynote speaker talked about Fukushima and his work to help the area recover since it isn’t an easy solution. He gave a presentation and later he returned in the weekend for a Q/A panel that he graciously went over time with because we all had so many questions for him regarding Fukushima and other cultural aspects.

At night, we also had some film screenings. This year we saw the live action Kenshin film (review next week) and I also watched the screening of Wolf Children, again. The film gets better every time I see it, can’t wait for it to be released.

I am already thinking of topics for next year’s conference and look forward to seeing everyone again soon.

Con Recap: A-kon 2013 Dallas

I haven’t been to a con since Gen-Con 2004. Gen-Con 2004 was the last Dragonball GT card game tournament and the last con I went to. At the time I was about to transfer colleges and was finally ready to get back to school and pursue my B.S. and the end of the card game was all but imminent.

Fast forward to 2013 and I have already been thinking of taking Cosmic Rage to cons to promote the project. However, I had no idea what to expect at cons or Artist Alley for that matter. So after I discovered that Anime Detour in Minneapolis limits their tickets, I set my sights on the Lone Star state and what A-kon had to offer.

I visited some family at the time and also met up with one of my friends I traveled to Japan with. Thursday night we were planning on registering and watching the live action Rourouni Kenshin movie. However, the line for registration was long and we waited in line for 2.5 hours to get registered and get our badges. With badges in hand and the night getting late, we grabbed some pizza and prepared for the next day.

Friday rolled around, and the con was pretty busy. There was a fairly long line of people waiting to register and we heard rumors of people waiting in line for up to 5 hours. I went to a few panels on web comics, artist alley 101, digital coloring, and even kickstart campaigns. I met some really cool artists and got contact info from them as well. Here are a few links to their sites to check out.

ErfWorld
Cyanide and Happiness
Star Cross’d Destiny

I enjoyed each of the panels and learned from some talented web comic artists. I might have some more exciting news regarding this topic but I will have to keep it on the downlow for now.

In between all of the panels and checking out the artist alley and dealers rooms, I was able to take some pictures of some awesome cosplay outfits too. I will see if I can post them up to the facebook page. I even got Sonny Strait’s autograph on one of my old Krillin DBZ cards and Todd Haberkorn’s autograph on some DVDs of mine.

Friday night Exist Trace was performing live at the con, so I checked them out and it was quite the show. They quickly became one of my favorite bands just from the show they put on. I helped a friend out after the show get some autographs from the band at the booth. It was a pretty late night by the time we got back to the hotel.

Saturday morning we woke up and checked out the screening for Wolf Children, a new title from FUNImation.

[youtube http://www.youtube.com/watch?v=ns8PWyfEz60&w=560&h=315]

I went to a few more panels on scriptwriting, storytelling and digital art. Later on Saturday I actually met up with the composer on the Cosmic Rage project. We met online on a previous project and now we have become pretty good friends. We actually never thought we would meet up due to where we lived, but through the powers of Facebook, we discovered we were both at the con and met up.

We had a good conversation about our projects and the future of Cosmic Rage that lasted a couple of hours. I met up with my friend and we went to a comedy panel that night and returned to the hotel.

Sunday was a shorter day, we started off the day by attending the Aniplex panel. At the panel they played a trailer for Gyo: Tokyo Fish Attack which is suppose to be a horror film they recently picked up.

[youtube http://www.youtube.com/watch?v=iZugt3fiBe0&w=560&h=315]

I personally am a little excited for this title because it looks fun and I am interested to see the use of CGI in the film also. After the Aniplex panel I roamed around the dealers room for a bit more picking up some goodies and art books (Samurai Champloo and Redline).

Overall the con was a great time. I am really hoping I am able to pick up production on Cosmic Rage a bit more and be able to have content in an Artist Alley next year. I met some new friends while waiting in lines for autographs from voice actors and Exist Trace and also met up with some acquaintances as well. The con was jam packed on Saturday and rumor has it they sold out badges, but I can’t confirm that. Looking forward to making it to A-kon next year if I am available.

Check out the Cosmic Rage facebook page for a photo gallery.